Monday 9 April 2012

Wellcome Exhibition - Charmed Life: The Solace of Objects

"It seems that the soul..loses itself in itself when shaken and disturbed unless given something to grasp onto; and so we must always provide it with an object to butt up against and act upon."
Michel de Montaigne Essais 1580

One of the most magical exhibitions I've visited this year was at the Wellcome Collection this February. 

 It was a collection of amulets assembled by Edward Lovett (1852-1933) who worked as a Chief Cashier in London and took trips to poorer areas of the city during his spare time collecting materials from the working class such as dockyard workers and shopkeepers.
He was fascinated with folklore and magical objects and built up a huge collection of over 1400 objects during his life.

Powell's presentation of these lucky charms fantastic. There were so many of the same kind, like horse shoes for example, all different shapes and sizes scatter across a table.
Each object carried its own story of hope or luck. ...


These horse shoes covered in fabric were kept to stop nightmares.....









... The various uses to which these…were put were as follows: Boxes for dominoes, flower vases, ink bottles, pin holders, tape measures, scent bottles, match boxes, snuff boxes, and the modern satin shoes for throwing at weddings." Edward Lovett, 'Magic in Modern London', p. 58

Bits of coral were worn to keep sailers safe at sea....

These lower jaws of a small animal were kept as good luck among shepherds....

I found the exhibition fascinating and this kickstarted an interest with Folklore and Superstition...I would love to do a project based on this subject in the future....

Trailing Tears
Wax on mirror back
Felicity Powell 2011


Another part of the Charmed Life collection was Felicity Powells own waxworks on plates of fairytale figures and floating hands. Watching the video of the making of these small scale works makes you engage with the objects themselves as they are formed carefully by hand. The reveal a ghostly beauty and I was transfixed with every delicate aspect of her work.

No comments:

Post a Comment